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<H1><SPAN lang="IT" style="FONT-SIZE: 11pt;"><FONT face="Times">Conferinta
Regimuri ale reprezentarii: Arta si politica dincolo de Casa
Poporului<o></o></FONT></SPAN></H1>
<P class="MsoNormal"><B><SPAN style="FONT-SIZE: 11pt;"><FONT face="Times">MNAC,
Bucuresti<o></o></FONT></SPAN></B></P>
<P class="MsoNormal"><FONT face="Times"><B><SPAN style="FONT-SIZE: 11pt;">11.01.2007</SPAN></B><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: Times-Roman;"><o></o></SPAN></FONT></P>
<P class="MsoNormal"><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: Times-Roman;"><o><FONT face="Times"> </FONT></o></SPAN></P>
<P class="MsoNormal"><FONT face="Times"><SPAN style="FONT-SIZE: 11pt;">Participa <B>Chantal Mouffe</B> (keynote), <B>Nicolas Bourriaud</B>, <B>Jonathan Lahey Dronsfield</B>, <B>Marcus Steinweg</B>, <B>4space</B>, <B>Ruxandra Balaci</B> si <B>Meta Haven</B>.</SPAN><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: Times-Roman;"><o></o></SPAN></FONT></P>
<P class="MsoNormal"><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: Times-Roman;"><o><FONT face="Times"> </FONT></o></SPAN></P>
<P class="MsoNormal"><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: Times-Roman;"><FONT face="Times">Organizatori: Jan van Eyck Academie, <st1><st1>Maastricht</st1></st1>, si Meta Haven: Design
Research<o></o></FONT></SPAN></P>
<P class="MsoNormal"><FONT face="Times"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: Times-Roman;">informatii
la </SPAN><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: Times-Roman;"><A href="http://www.museumofconflict.eu/"><SPAN lang="IT">http://www.museumof<wbr>conflict.<wbr>eu</SPAN></A></SPAN><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: Times-Roman;"><o></o></SPAN></FONT></P>
<P class="MsoNormal"><FONT face="Times"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: Times-Roman;">e
</SPAN><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: Times-Roman;"><A href="mailto:office@metahaven.net"><SPAN lang="IT">office@metahaven.<wbr>net</SPAN></A></SPAN><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: Times-Roman;"><o></o></SPAN></FONT></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: Times-Roman;"><o><FONT face="Times"> </FONT></o></SPAN></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: Times-Roman;"><FONT face="Times">Conferinta de pe 11 ianuarie de la Muzeul National de Arta
Contempporana, intitulata 'Regimuri ale reprezentarii: Arta si politica dincolo
de Casa Poporului', va avea ca subiect chiar spatiul care gazduieste
evenimentul. Fosta Casa a Poporului, actualmente Palatul Parlamentului, intr-o
aripa a caruia se afla muzeul de arta contemporana, va fi punctul de plecare
intr-o dezbatere despre relatia dintre politica, imaginatie si reprezentare,
atit in cit si dincolo de conditia post-comunista. <o></o></FONT></SPAN></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: Times-Roman;"><FONT face="Times">MNAC este una dintre incercarile Estului de a folosi arta
contemporana pentru a transforma un simbol totalitar intr-un loc al democratiei
- unicitatea sa vine insa din faptul ca Palatul Parlamentului este locul puterii
politice. Intrebarea centrala a conferintei este: poate arta 'lua locul puterii,
producind un simbol al deschiderii si democratiei' (Nicolas Bourriaud)? Poate
imaginatia influenta intelesul unei cladiri care este logo-ul unui regim
totalitar? Cum poate o institutie de arta contemporana sa foloseasca acest
simbol sau aceasta fundatie pentru a construi o identitate nationala? Putem
vorbi despre o inversiune a 'efectului Bilbao'? Care este legatura dintre
institutionalizarea artei contemporane si imperativul democratic dupa caderea
comunismului? <o></o></FONT></SPAN></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: Times-Roman;"><o><FONT face="Times"> </FONT></o></SPAN></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: Times-Roman;"><FONT face="Times">Eveniment sprijinit de Ambasada Regala a Olandei la
Bucuresti.<o></o></FONT></SPAN></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: Times-Roman;"><o><FONT face="Times"> </FONT></o></SPAN></P>
<H1><SPAN lang="IT" style="FONT-SIZE: 11pt;"><FONT face="Times">Programul
conferintei<o></o></FONT></SPAN></H1>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><FONT face="Times">10.15<o></o></FONT></SPAN></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><FONT face="Times">Inregistrare<o></o></FONT></SPAN></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><FONT face="Times">11.15<o></o></FONT></SPAN></P>
<P class="MsoNormal"><FONT face="Times"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;">Cuvint
de deschidere – </SPAN><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPS-BoldMT;">Ruxandra
Balaci</SPAN><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;">,
director artistic MNAC<o></o></SPAN></FONT></P>
<P class="MsoNormal"><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><FONT face="Times">11.30<o></o></FONT></SPAN></P>
<P class="MsoNormal"><FONT face="Times"><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;">Introducere
– </SPAN><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPS-BoldMT;">Vinca
Kruk</SPAN><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><o></o></SPAN></FONT></P>
<P class="MsoNormal"><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><FONT face="Times">11.45<o></o></FONT></SPAN></P>
<P class="MsoNormal"><FONT face="Times"><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;">Keynote
lecture – </SPAN><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPS-BoldMT;">Chantal
Mouffe</SPAN><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><o></o></SPAN></FONT></P>
<P class="MsoNormal"><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><FONT face="Times">12.45<o></o></FONT></SPAN></P>
<P class="MsoNormal"><FONT face="Times"><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;">Conferinta
– </SPAN><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPS-BoldMT;">Nicolas
Bourriaud</SPAN><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><o></o></SPAN></FONT></P>
<P class="MsoNormal"><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><FONT face="Times">13.30<o></o></FONT></SPAN></P>
<P class="MsoNormal"><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><FONT face="Times">prinz<o></o></FONT></SPAN></P>
<P class="MsoNormal"><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><FONT face="Times">14.00<o></o></FONT></SPAN></P>
<P class="MsoNormal"><FONT face="Times"><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;">Conferinta
– </SPAN><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPS-BoldMT;">Jonathan
Lahey Dronsfield</SPAN><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><o></o></SPAN></FONT></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><FONT face="Times">14.45<o></o></FONT></SPAN></P>
<P class="MsoNormal"><FONT face="Times"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;">Conferinta
– </SPAN><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPS-BoldMT;">Marcus
Steinweg</SPAN><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><o></o></SPAN></FONT></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><FONT face="Times">15.30<o></o></FONT></SPAN></P>
<P class="MsoNormal"><FONT face="Times"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;">Conferinta
– </SPAN><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPS-BoldMT;">4Space</SPAN><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;">
(Augustin Ioan & Ciprian Mihali)<o></o></SPAN></FONT></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><FONT face="Times">16.15<o></o></FONT></SPAN></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><FONT face="Times">pauza<o></o></FONT></SPAN></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><FONT face="Times">16.30<o></o></FONT></SPAN></P>
<P class="MsoNormal"><FONT face="Times"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;">Masa
rotunda cu toti vorbitorii – moderator </SPAN><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPS-BoldMT;">Daniel
van der Velden</SPAN><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><o></o></SPAN></FONT></P>
<P class="MsoNormal"><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><FONT face="Times">17.30<o></o></FONT></SPAN></P>
<P class="MsoNormal"><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><FONT face="Times">Cocktail<o></o></FONT></SPAN></P>
<P class="MsoNormal"><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><o><FONT face="Times"> </FONT></o></SPAN></P>
<P class="MsoNormal"><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: 'Times New Roman';">Acces
gratuit<o></o></SPAN></P>
<P class="MsoNormal"><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><FONT face="Times">Limba: Engleza<o></o></FONT></SPAN></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanMS;"><FONT face="Times">Adresa: MNAC<o></o></FONT></SPAN></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanMS;"><FONT face="Times">Muzeul National de Arta Contemporana<o></o></FONT></SPAN></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanMS;"><FONT face="Times">Palatul Parlamentului, aripa E4<o></o></FONT></SPAN></P>
<P class="MsoNormal"><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanMS;"><FONT face="Times">Sos. Izvor 2-4<o></o></FONT></SPAN></P>
<P class="MsoNormal"><FONT face="Times"><st1><st1><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanMS;">Bucuresti</SPAN></st1><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanMS;">,
<st1>Romania</st1></SPAN></st1><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanMS;"><o></o></SPAN></FONT></P>
<P class="MsoNormal"><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanMS;"><A href="http://www.mnac.ro/"><SPAN style="COLOR: windowtext;FONT-FAMILY: Times;TEXT-DECORATION: none;"><SPAN><U><SPAN style="COLOR: blue;">http://www.mnac.<wbr>ro/</SPAN></U></SPAN></SPAN></A><o></o></SPAN></P>
<P class="MsoNormal"><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><o><FONT face="Times"> </FONT></o></SPAN></P>
<P class="MsoNormal"><FONT face="Times"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPS-BoldMT;">Sumarul
conferintelor si biografiile participantilor</SPAN><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><o></o></SPAN></FONT></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><o><FONT face="Times"> </FONT></o></SPAN></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPS-BoldMT;"><FONT face="Times">Politica agonistica si practica
artistica<o></o></FONT></SPAN></P>
<P class="MsoNormal"><FONT face="Times"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPS-BoldMT;">Chantal
Mouffe</SPAN><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;">
– Keynote lecture<o></o></SPAN></FONT></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: 'Times New Roman';">In
prezentarea mea voi urmari diferite moduri de a gindi spatiul public si
implicatiile acestor modele pentru practicile artistice. Argumetul meu este ca
arta publica nu este arta instalata intr-un spatiu public, in opozitie cu unul
privat. Arta publica este cea care instituie spatiul public, in sensul unei
actiuni comune a mai multor oameni. De pilda, voi incerca sa arat </SPAN><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><FONT face="Times">ce tip de public ar trebui sa creeze institutiile de arta: un spatiu
public al carui scop este consensul sau un spatiu public al confruntarii
agonistice? Preluind idei din lucrarile mele anterioare, voi demonstra ca
sarcina politicii democratice nu este aceea de a agrega interese sau de a crea
un consens rational, ci de a transforma antagonismul in agonism. Rationamentul
reformuleaza relatia dintre arta si politica si permite o alta intelegere a
naturii practicilor artistice critice. Miza fundamentala este o interogatie a
modelului hegemonic prin formularea acelor elemente indepartate de consensul
bazat pe dominatie. Voi insista asupra modurilor multiple in care acest tip de
consens poate fi subminat si voi arata ca practicile artistice pot contribui la
articularea unor forme noi ale subiectivitatii. <o></o></FONT></SPAN></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><o><FONT face="Times"> </FONT></o></SPAN></P>
<P class="MsoNormal"><FONT face="Times"><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPS-BoldMT;">Chantal
Mouffe</SPAN><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">
este profesor de teorie politica la Centrul pentru Studiul Democratiei de la
University of Westminster, Londra. </SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">Este
membru al Collège International de Philosophie, <st1><st1>Paris</st1></st1>. A editat volumele </SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPS-ItalicMT;">Gramsci
and Marxist Theory</SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">
(Routledge and Kegan Paul, London, 1979), </SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPS-ItalicMT;">Dimensions
of Radical Democracy. Pluralism, Citizenship, Community</SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">
(Verso, London, 1992), </SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPS-ItalicMT;">Deconstruction
and<I> </I>Pragmatism</SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">
(Routledge, London, 1996) si </SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPS-ItalicMT;">The
Challenge of Carl Schmitt</SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">
(Verso, London, 1999). Este coautor, impreuna cu Ernesto Laclau, al cartii
</SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPS-ItalicMT;">Hegemony
and Socialist Strategy. Towards a Radical Democratic Politics</SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">
(Verso, London, 1985) si a scris </SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPS-ItalicMT;">The<I> </I>Return of the Political</SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">
(Verso, London, 1993), </SPAN><I><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPS-ItalicMT;">The
Democratic Paradox</SPAN></I><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">
(Verso, London, 2000), urmata de </SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPS-ItalicMT;">On
the Political</SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">
(Routledge, London, 2005).<o></o></SPAN></FONT></P>
<P class="MsoNormal"><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><o><FONT face="Times"> </FONT></o></SPAN></P>
<P class="MsoNormal"><FONT face="Times"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPS-BoldMT;">Nicolas
Bourriaud</SPAN><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><o></o></SPAN></FONT></P>
<P class="MsoNormal"><FONT face="Times"><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPS-BoldMT;">Nicolas
Bourriaud</SPAN><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">
este curatorul si criticul de arta care a propus in 1995 termenul de 'estetica
relationala'<wbr>. In perioada 2002-2006 a fost co-director la Palais de Tokyo, Paris
(alaturi de Jérôme Sans). Bourriaud a creat revista </SPAN><I><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPS-ItalicMT;">Documents</SPAN></I><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">
(1992-2000), si a fost corespondent la Paris al revistei </SPAN><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPS-ItalicMT;">Flash
Art<I>.</I></SPAN><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;"><o></o></SPAN></FONT></P>
<P class="MsoNormal"><FONT face="Times"><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">Bourriaud
a publicat </SPAN><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPS-ItalicMT;">Relational
Aesthetics</SPAN><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">
(2002) si </SPAN><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPS-ItalicMT;">Postproduction</SPAN><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">
(2001), definind ca 'relational' acel tip de arta care isi ia ca orizont
teoretic 'domeniul interactiunilor umane si contextul social, mai curind decit
afimarea unui spatiu simbolic independent si privat.'
<o></o></SPAN></FONT></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;"><FONT face="Times">Nicolas Bourriaud este membru al boardului consultativ
MNAC.<o></o></FONT></SPAN></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><o><FONT face="Times"> </FONT></o></SPAN></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPS-BoldMT;"><FONT face="Times">Arta si democratie la fundatia fundatiei<o></o></FONT></SPAN></P>
<P class="MsoNormal"><FONT face="Times"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPS-BoldMT;">Jonathan
Lahey Dronsfield</SPAN><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><o></o></SPAN></FONT></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><FONT face="Times">Cladirea in care se afla MNAC a fost construita pentru a institui –
in viziunea conceptorului ei, dictatorul Nicolae Ceausescu – ‘omul nou’. Astfel
ea apare ca fundatie - nu doar ca fundament al identitatii nationale - ci ca
fundatie a fundamentului insusi. Acesta este aspectul pe care MNAC e nevoit sa
il negocieze. Dar cum poate arta prelua intelesul unei asemenea cladiri pentru a
o transfoma intr-un simbol al deschiderii si democratiei, asa cum spune unul
dintre membrii boardului MNAC, Nicolas Bourriaud? <o></o></FONT></SPAN></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><FONT face="Times">Ce presupune o asemenea afirmatie? Nu risca ea sa repete fundatia
impovaratoare a cladirii insesi? Conferinta va porni de la zonele neclare din
teoria artei propusa de Bourriaud si de la ideea, contrara esteticii relationale
asa cum o defineste el, ca arta trebuie sa functioneze ca rezistenta fata de
politica pentru instituirea democratiei. <o></o></FONT></SPAN></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><o><FONT face="Times"> </FONT></o></SPAN></P>
<P class="MsoNormal"><FONT face="Times"><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPS-BoldMT;">Jonathan
Lahey Dronsfield</SPAN><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">
este lector de Teoria si Filosofia Artei la University of Reading si conduce
Forum for European Philosophy la London School of Economics; este de asemenea
membru al boardului AICA (Association Internationale des Critiques d’Art). A
publicat mai multe texte despre filosofia continentala, in special privind
raportul dintre arta si etica. In prezent lucreaza la doua carti: </SPAN><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPS-ItalicMT;">Art’s
Resistance to Ethics</SPAN><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">
si </SPAN><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPS-ItalicMT;">Heidegger’s
Philosophy of Art<I>.</I></SPAN><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">
Intre 2004 si 2006 a fost cercetator la departamentul de teorie de la Jan van
Eyck Academie.<o></o></SPAN></FONT></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><o><FONT face="Times"> </FONT></o></SPAN></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPS-BoldMT;"><FONT face="Times">Obscurantismul faptelor<o></o></FONT></SPAN></P>
<P class="MsoNormal"><FONT face="Times"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPS-BoldMT;">Marcus
Steinweg</SPAN><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><o></o></SPAN></FONT></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><FONT face="Times">Nici filosofia si nici arta nu depind de demonstratii sau opinii.
Filosofia si arta instituie lucruri, le afirma. Afirmatia difera de dovada sau
de opinie prin faptul ca e nevoita sa se dispenseze de certitudini. O filosofie
a afirmatiei este o filosofie a incertitudinii. Ea depaseste sau transgreseaza
modalitatile gindirii conventionale ca reflectia, argumentul, intemeierea,
critica. Ea produce contactul dintre subiect si adevar in conditii de
inceritudine si da acestui moment o forma, un limbaj. Adevarul se refera la
limitele lumii faptelor. Filosofia exista numai in masura in care atinge aceste
limite. Este o afirmatie care neaga validitatea imperativelor factuale. Ajungind
la adevar, filosofia trebuie sa reziste la certitudinea opiniei si
obscurantismul faptelor in egala masura. Ea atinge intangibilul si transforma
aceasta atingere intr-o forma de viata. Voi pleda in favoarea relevantei
politice a artei si filosofiei, in contrast cu arta si filosofa politica
conventionale. Vreau sa demostrez ca arta si filosofa politica isi descriu
propria de-politizare, ca nu se preocupa de o politica a libertatii, a
imposibilului si a ceea ce este absolut necesar. Politica la care ma refer
difera de ceea ce se numeste in mod obisnuit politica, in masura in care nu
afirma sau apara interese, ci apare ca o forma de rezistenta la realitatea
socio-politica si ideo-culturala. Ea este articulata printr-un refuz absolut al
universului faptelor si opiniilor care circula in univers. Apare ca o politica a
adevarului, in masura in care ia drept dovezi lucrurile care intra in conflict
cu certitudinile acceptate. <o></o></FONT></SPAN></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><FONT face="Times">Arta are inteles doar ca arta, filosofia are inteles doar ca
filosofie. Arta si filosofia nu pot fi reduse la cimpul socio-politic care le
articuleaza. Nu are sens sa definim misiunea artei si filosofei ca una politica.
'Aceasta este iluzia stingii din ultimele decenii', spune Heiner Müller, 'a
intelectualilor europeni si in special a literatilor, de a sustine ca arta si
politica pot sau trebuie sa aiba aceleasi interese. Finalmente, arta nu poate fi
controlata. Sau se poate intotdeauna sustrage controlului. Si din acest motiv a
fost intotdeauna aproape automat subversiva.'<o></o></FONT></SPAN></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><o><FONT face="Times"> </FONT></o></SPAN></P>
<P class="MsoNormal"><FONT face="Times"><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPS-BoldMT;">Marcus
Steinweg</SPAN><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">
este filosof si scriitor si locuieste la Berlin. </SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">A
publicat cartile </SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPS-ItalicMT;">Krieg
der difference</SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">,
</SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPS-ItalicMT;">Autofahren
mit Lacan</SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">
(<st1><st1>Koblenz</st1></st1>, 2001),
</SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPS-ItalicMT;">Der
Ozeanomat.<I> </I>Ereignis und
Immanenz</SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">
(<st1>Cologne</st1>, 2002), </SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPS-ItalicMT;">Subjektsingularitä<wbr>ten</SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">
(<st1>Berlin</st1>, 2004) si </SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPS-ItalicMT;">Behauptungsphilosop<wbr>hie</SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">
(<st1><st1>Berlin</st1></st1>,
2006). Steinweg colaboreaza regulat cu artistul elvetian Thomas Hirschhorn,
scriind texte pentru publicatiile si instalatiile ale acestuia.
<o></o></SPAN></FONT></P>
<P class="MsoNormal"><SPAN style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><o><FONT face="Times"> </FONT></o></SPAN></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPS-BoldMT;"><FONT face="Times">Obiect singular: Casa Republicii si rezistenta la interpretare
<o></o></FONT></SPAN></P>
<P class="MsoNormal"><FONT face="Times"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPS-BoldMT;">4Space
(Augustin Ioan & Ciprian Mihali)</SPAN><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><o></o></SPAN></FONT></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><FONT face="Times">Semnificatia Edificiului Ultim si a Bulevardului Victoria
Socialismului care porneste de la el - a fenomenului anti-urban denumit oficial
'noul centru civic', a fost interpretata recent luind in calcul conceptia,
constructia si utilizarea lor din perioada comunista si pina in prezent. Orice
tentativa de a pune ordine aici trebuie sa porneasca de la doua premise. Mai
intii, acest edificiu rezista oricarei interpretari unitare, 'holistice', care
ar incerca sa-i epuizeze intelesurile in ceea ce priveste productia si
destinatia. In al doilea rind, distinctii importante apar daca incercam sa
explicam cladirea pronind de la cele trei tipuri de spatii pe care le genereaza.
</FONT></SPAN><SPAN lang="RO" style="FONT-SIZE: 11pt;FONT-FAMILY: 'Times New Roman';">Intre
acestea, spatiul exterior, i.e</SPAN><FONT face="Times"><SPAN lang="RO" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;">
</SPAN><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;">orasul,
urmat de spatiul exterior cladirii, i.e imediata ei vecinatate, in limbajul
strimb al politicii post-sovietice sau ca halou urias de influenta emanat de
monstruoasa structura. In al treilea rind, spatiul din afara.
</SPAN></FONT><SPAN lang="RO" style="FONT-SIZE: 11pt;FONT-FAMILY: 'Times New Roman';">In
conditiile in care ne lipsesc datele verificabile, doar marturiile orale pot
explica natura aproape ‚oculta’ a celei mai ample operatiuni urbane din istoria
Romaniei. Aceste surse orale includ studii incomplete sau nepublicate, ca cel
intreprins de </SPAN><SPAN lang="RO" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><FONT face="Times">Gérard Althabe de la EHESS sau legende povestite de martori oculari
sau de fosti 'initiati' precum profesorul Cornel Dumitrescu, la vremea aceea
rector al IAIM Bucuresti. Acest proiect colosal isi datoreaza dimensiunea
imaginara, mitica, valului de 'petites histoires' pe care le-a generat.
<o></o></FONT></SPAN></P>
<P class="MsoNormal"><FONT face="Times"><SPAN lang="RO" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;">Chiar
daca partiale, interpretarile cele mai valoroase nu se regasesc in discursul
despre arhitectura si urbanism, ci in stiintele socio-umane si politice, istoria
mentalitatilor, antropologia stratului peri-urban, si, nu in ultimul rind, in
psihanaliza. </SPAN><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;">Diversele
proiecte propuse pentru Casa Republicii dupa '89 oscileaza intre doua extreme -
cele mai putin radicale propun o 'recuperare' a Casei in termenii strict
profesionali ai 'expertizei' arhitecturale.<o></o></SPAN></FONT></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><FONT face="Times">Argumentul a fost folosit nu doar de catre arhitecti ci si de catre
diversii interpreti ai Casei care ghideaza in preajma ei vizitatori straini
uluiti. La urma urmelor, Casa Republicii inseamna cantitate, dimensiuni, design,
structuri speciale si asa mai departe. La inceputul urmelor, putem vorbi de
'postmodernismul' Casei si Bulevardului, de ‘Bigness’ (Rem Koolhaas) si alte
concepte care se pot dovedi utile. In discutiile despre Casa, aspectul mai
'inalt' (in sensul strict al ab/uzului, al investirii excesive cu inteles) este
perceput ca epifanie. Casa este un templu al Ierusalimului, inaltat la Bucuresti
in previziunea unei a doua veniri pe care o pune in act.
<o></o></FONT></SPAN></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><FONT face="Times">O alta intelegere 'oculteaza' numeroasele pliuri sociale, economice
si politice ale edificiului, si o face deliberat adeseori. Altii sint cuprinsi
de frenezie interpretativa in fata cladirii. Intre aceste extreme flutura o
nesfirsita inlantuire de griuri. De pilda, retorica nationalista se simte
incurajata de datele, in aparenta neutre, privind tehnologiile de constructie si
materialele care sint, se pare, exclusiv romanesti si, desigur, exceptionale.
(Castelul Peles survine uneori ca un corolar. Acolo, pina si lemnul a fost
importat.) Exista si ideile, mai decente din punct de vedere profesional dar nu
mai putin fantasmagorice, despre un plan prestabilit al Bucurestiului, intemeiat
pe o schema utopica sau ideala de tip Sforzinda (Dana Harhoiu). Originea
structurala a acestui plan ar fi o geometrie sacra constituita de un Triunghi
monastic al Bermudelor, cu biserici parohiale dispuse concentric in relatie cu
Biserica Sf. Gheorghe, considerata ombilicul orasului.
<o></o></FONT></SPAN></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><o><FONT face="Times"> </FONT></o></SPAN></P>
<P class="MsoNormal"><FONT face="Times"><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPS-BoldMT;">4Space</SPAN><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">
este un grup interdisciplinar de filosofi, arhitecti, scriitori, sociologi si
geografi, preocupat de critica si rescrierea politicilor urbane in orasele
romanesti. A inceput ca focus-group la Institutul de studii avansate New Europe
College din Bucuresti in 2004 si are o rubrica saptaminala omonima in revista
online www.liternet.<wbr>ro. Grupul pregateste o antologie de texte ale membrilor
sai, care va fi tiparita de Editura Idea, Cluj, in 2007.
<o></o></SPAN></FONT></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><o><FONT face="Times"> </FONT></o></SPAN></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPS-BoldMT;"><FONT face="Times">Introducere<o></o></FONT></SPAN></P>
<P class="MsoNormal"><FONT face="Times"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPS-BoldMT;">Meta
Haven</SPAN><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><o></o></SPAN></FONT></P>
<P class="MsoNormal"><FONT face="Times"><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPS-BoldMT;">Meta
Haven: Design Research</SPAN><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">
a fost infiintat la Amsterdam in 2005 de catre Vinca Kruk, Daniel van der
Velden, Adriaan Mellegers si Tina Clausmeyer. Prima lor colaborare a fost o
cercetare vizuala asupra Principatului Sealand, un stat minuscul format pe o
platforma petroliera din Marea Nordului. Acest proiect, centrat pe studiul
identitatii teritoriale si difuziunii ei prin retele informationale, al
miturilor si simbolismului, s-a desfasurat in 2003 la Jan van Eyck Academie,
Maastricht.<o></o></SPAN></FONT></P>
<P class="MsoNormal"><FONT face="Times"><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">Proiectele
ulterioare investigheaza mai multe studii de caz a caror cheie este legatura
dintre imaginatie si politica. Proiectul History Vs. Future a pornit de la
relatia dintre identitate si istorie si a condus la o cercetare asupra Casei
Poporului din Bucuresti. Alaturi de o serie de modele si scenarii vizuale,
proiectul include conferintele </SPAN><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPS-ItalicMT;">The
Museum of Conflict</SPAN><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">
si </SPAN><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPS-ItalicMT;">Regimes
of Representation</SPAN><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">.<o></o></SPAN></FONT></P>
<P class="MsoNormal"><FONT face="Times"><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">Van
der Velden si Kruk lucreaza in prezent la Jan van Eyck Academie la un proiect
despre motorul de cautare franco-german Quaero, in colaborare cu cercetatorii
Tsila Hassine si Gon Zifroni, o incercare de a produce o fuziune intre o
intelegere critica si imaginativa a design-ului si o dezbatere despre internet,
politica, spatiul public si patrimoniul cultural. In acelasi timp, Meta Haven:
Design Research lucreaza la cartea </SPAN><I><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPS-ItalicMT;">Uncorporate
Identity</SPAN></I><SPAN lang="IT" style="FONT-SIZE: 10pt;FONT-FAMILY: TimesNewRomanPSMT;">,
care va aparea in toamna lui 2007.<o></o></SPAN></FONT></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><o><FONT face="Times"> </FONT></o></SPAN></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;"><o><FONT face="Times"> </FONT></o></SPAN></P>
<P class="MsoNormal"><SPAN lang="IT"><o><FONT face="Times"> </FONT></o></SPAN></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><o><FONT face="Times"> </FONT></o></SPAN></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;FONT-FAMILY: TimesNewRomanPSMT;"><o><FONT face="Times"> </FONT></o></SPAN></P>
<P class="MsoNormal"><SPAN lang="IT" style="FONT-SIZE: 11pt;"><o><FONT face="Times"> </FONT></o></SPAN></P></DIV>
</p>
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<li><a href="http://groups.yahoo.com/gads;_ylc=X3oDMTJkamVmNDRjBF9TAzk3MzU5NzE0BF9wAzUEZ3JwSWQDMTE3MzY4NTgEZ3Jwc3BJZAMxNzA1MDM3NzA1BHNlYwNzbG1vZARzdGltZQMxMTY3OTA5NDE4?t=ms&k=Blog+site&w1=Blog+web&w2=Web+blog&w3=Blog&w4=Create+blog&w5=Blog+site&c=5&s=70&g=2&.sig=dbPx6o-NXiqIzajtqfAvaw">Blog site</a></li>
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