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<td align="left" valign="top" width="120" class="data" nowrap> June
9, 2008</td>
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<td class="text"> <p align="left"> <br>
<b><a class=titlu_rosu> Corina Suteu on Public Funding and the Performing
Arts in Romania in Boekman<em>studies</em>' "State on Stage"</a></b><br>
<br>
<br>
<b><a
href="http://www.intersection.ro/intermail/lt/t_go.php?i=668&e=NTk1NTI=&l=-http--www.boekman.nl/EN/publications_State%20on%20Stage.html"
target="_blank"><img border="0" src="http://www.icrny.org/imagini/state_on_stage_web.jpg"
align="left"></a></b><b><i>
</i></b>The Boekman<em>studies </em>in Amsterdam has recently launched
the book <b> State on Stage. The impact of public policies on the performing
arts in Europe</b>. Edited by Ineke van Hamersveld and Cas Smithuijsen,
this publication offers both a pan-European overview and national portraits
of 15 EU member states, depicting a lively, dynamic performing arts scene.
It also reveals what’s happening behind the scenes – oversupply,
with thousands of performing artists unable to find proper jobs, seeking
additional income elsewhere. Despite the generosity of governments at
all levels, public money comes either in insufficient quantities, or is
spent inefficiently.<br>
<br>
The national profile of Romania is covered by <strong>Corina Suteu*</strong>,
who, in the dedicated chapter of the book, sketches a picture of the evolution
of the relationship between the performing arts field and the late developments
of public funding in favour of these arts.<br>
<br>
The author draws a concise overview of the field in Romania, an endeavour
which she appreciates to be difficult, bearing in mind that the legal
and managerial system in performing arts is still in the process of reform,
while an important number of changes in legislation, engaged in previous
years, are still underway to be implemented. Among the essential elements
of the Romanian national profile, Corina Suteu points to the structural
subsidy and project-based support, the institutional system of the performing
arts, the repertory theatre vs. the so-called ‘independent' scene,
and the lust for entertainment. <br>
<br>
<br>
<strong>*</strong>Expert, consultant and trainer in the field of cultural
management and policies, <strong>Corina Suteu</strong> is currently director
of the Romanian Cultural Institute in New York. Previously, she was for
nine years director of the European Master's degree in Cultural management
of the Business School in Dijon. She initiated in 1995 the first regional
training programme in cultural management for Eastern European professionals,
the ECUMEST programme, and from 1998 she is founder and president of the
ECUMEST Association in Bucharest. Her expertise was enriched by extensive
trainings held in the frame of MA programmes and other professional courses
all over Europe. She is author of <em>Another brick in the wall. A critical
review of cultural management education in Europe</em> and of numerous
articles and studies.<br>
<br>
For more details and to order the book visit <a class=linc
href="http://www.intersection.ro/intermail/lt/t_go.php?i=668&e=NTk1NTI=&l=-http--www.boekman.nl/EN/publications_State%20on%20Stage.html"
target="_blank">www.boekman.nl</a>.<a target="_blank" class=text2>
</a></tr>
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<td class="footer"></p><b>ROMANIAN CULTURAL INSTITUTE IN NEW YORK</b><br>
200 East 38th Street (at 3rd Avenue), New York, NY 10016<br>
Tel: 212-687-0180 - Fax: 212-687-0181<br>
<a class=linc href="mailto:icrny@icrny.org">icrny@icrny.org</a>;
<a class=linc
href="http://www.intersection.ro/intermail/lt/t_go.php?i=668&e=NTk1NTI=&l=-http--www.icrny.org"
target="_blank">www.icrny.org</a></td>
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