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<p>MAX ART FEST <br>
OBRAZLOZENJE <br>
Revolucija na cekanju ili Putovanje nemirom. <br>
Postovani, deseci umjetnika traze dodatna objasnjenja i <br>
konkretizaciju tema koje smo ponudili u otvorenom natjecaju za prvi <br>
Max Art Fest. <br>
<br>
Koliko god nas ovako veliki interes raduje, istovremeno nas <br>
prisiljava na podrobniji opis teme. Ponesto opceniti <br>
naslov "Putovanje nemirom" postigao je svoj cilj, a to je otvorenost <br>
prema svim umjetnicima koji imaju dobru ideju. Misljenja smo da <br>
vecina natjecaja za suvremenu umjetnost eliminira zanimljive <br>
umjetnike uvjetima poput dobne granice ili discipline izrazavanja. <br>
Ovdje nudimo nekoliko teza na razmatranje, kako bi zainteresirane <br>
umjetnike potakli na direktniji, aktivniji i hrabriji iskorak, te <br>
sebi olaksali proces selekcije. <br>
<br>
REVOLUCIJA NA CEKANJU <br>
Poput nekadasnjih obljetnica velikih revolucionarnih datuma ili poput <br>
mas medijskog kapitalistickog umnaznja lika Che Guevare i danas <br>
prigodno obiljezavamo revolucionarne dogadjaje iz proslosti. <br>
Kada su skolska djeca u socijalizmu pjevala himne u cast godisnjice <br>
revolucije podrazumijevalo se da samo slave. Nova revolucija nije <br>
bila vise potrebna, stovise bila je nepozeljna. Djeca su slavljenjem <br>
i sletovima odradjivala drustvenu obavezu i tu je morao zavrsiti <br>
svaki njihov angazman. <br>
Da li nase danasnje prisjecanje na bivse revolucije znaci da <br>
priznajemo kako nemamo potencijala za novu revoluciju, u bilo kojem <br>
smislu. <br>
Da li kontrola drustva nad svakom revolucionarnom energijom neminovno <br>
dovodi do katarze i rata. <br>
<br>
ROCK AND ROLL <br>
Generacija rockera krajem osamdesetih bila je na rubu da promjeni sve <br>
u svojoj zemlji. <br>
Odbacivanje primitivnog birokratskog kripto fasizma a koji se <br>
eufemisticki nazivao "samoupravni socijalisticki poredak" pocelo je <br>
sa prvim vibracijama elektricne gitare (to je doba bez interneta, mas <br>
medija, slobode izrazavanja)<wbr>. <br>
Zasto su krupni kapitalisti u prvoj polovici proslog stoljeca javno <br>
podrzavali novi likovni pokret kubizam, a uz komentar da jedino tako <br>
mogu kanalizirati i pacifizirati svaki drustveni i politicki angazman <br>
umjetnika toga doba? <br>
Tko je usutkao rockere masovnim urlanjem parola? <br>
Kako je pobjedio kripto fasizam i gdje je nestao rock and roll? <br>
KAPITALIZAM NAPUSTENIH PRODAVAONICA <br>
Inspiracija se moze ocitati iz rada Sanje Ivekovic „Nada Dimic". <br>
Prostori proizvodnje koji gube svoju svrhu dolaskom novih drustvenih <br>
odnosa. Prostori koji cekaju da ih netko ili nesto drugi ukljuci u <br>
novi sustav. Prostori koji uglavnom godinama i desetljecima stoje <br>
prazni. <br>
Osim metaforickog iscitavanja devastacije prostora kao stanja <br>
drustva, pokusavamo konkretno zadrzati ovakve prostore za rad i <br>
boravak umjetnika. <br>
<br>
REGIJA ILI REGION <br>
Jos prije deset godina sasvim ozbiljni politicari javno su govorili <br>
da treba sagraditi zid prema istocnim bivsim republikama bivse <br>
Jugoslavije. Situacija je danas drugacija, u politici, privredi, <br>
sportu i sluzbenoj kulturi. <br>
Da li je slucajno kako najmanje komunikacije u kulturi upravo postoji <br>
na polju suvremene umjetnosti, podrucja koje se ne libi zadirati <br>
duboko u aktualne teme.<br>
<br>
UMJETNIK A NE ZLOCINAC <br>
U javnost je nedavno procurila informacija da jedan od najslavnijih <br>
hrvatskih zatocenika krati zatvorske dane slikanjem. Umjetnost kao <br>
duboko smirenje, radna terapija, suocavanje sa osobnom istinom ili <br>
mozda samo umjetnost. <br>
Koliko umjetnika danas zivi u Hrvatskoj, a koje je novi drustveni <br>
sistem bezocnog iskoristavanja zatvorio u njihovu malu sudbinu <br>
beznacajnosti. Koliko ljudi u svojoj osobnoj patnji pribjegava <br>
umjetnosti kao podrucju sigurne slobode. Mogu li male, osobne <br>
umjetnosti komunicirati i poceti stvarati cluster otpora. <br>
<br>
STO SVE SEBE PRISILJAVAMO ZABORAVITI DA BI NORMALNO ZIVJELI <br>
Kako bi bilo moguce zivjeti, raditi, uzivati a kada bi u svakom <br>
trenutku bili svjesni istinske istine o vremenu i prostoru u kojem <br>
zivimo. <br>
Koliko bivsih logorasa okrznemo u tramvaju, a koliko bivsih cuvara <br>
konc logora radi u javnim sluzbama ili kulturi. Da li je ultimativna <br>
bol covjeka pred samoubojstvo (nedavno se jedan od 2000 branitelja <br>
samoubojica ubio izgladnivsi se do smrti, polako i temeljito) <br>
ponistavac svih nasih veselih noci i zabavnih ignoriranja. Tko zivi u <br>
iluziji? Terminalni bolesnik suocen sa konacnoscu ili tv voditeljica <br>
koja nam svake veceri nudi konacnu glupost kao svrhu nasih zivota? <br>
<br>
MAX ART FEST <br>
POZIV NA NATJECAJ (Rok prijave - 1. 8 2008.) <br>
AKCIJA SUVREMENE UMJETNOSTI NA TEMU: PUTOVANJE NEMIROM <br>
Poziv <br>
Umjetnicima na sudjelovanje u velikoj akciji suvremene umjetnosti u <br>
Zagrebu. Ovom akcijom zapocinjemo dvogodisnji ciklus unutar kojega <br>
cemo preispitati pozicije suvremene umjetnosti u Hrvatskoj kao tocki <br>
nemira ili zaborava. Za 2008. godinu odabrali smo cluster <br>
najrazlicitijih prostora i situacija na podrucju od Kvaternikova trga <br>
do stadiona Maksimir. <br>
"Napusteni prostori vibriraju novom svrhom, kreiramo od njih postaje <br>
u svojevrsnom misteriju suvremene umjetnosti. Komentare umjetnika o <br>
temi Putovanje nemirom postavljamo u cjelinu koja porucuje: ipak ima <br>
nade...sve dok ima nemira." <br>
SMJERNICE ZA PRIJAVU: Prijave se primaju do 1. kolovoza 2008. na <br>
adresu ili e-mail MAX ART FEST-a. Prednost dajemo projektima bilo <br>
koje umjetnicke discipline koji snazno i hrabro komentiraju temu <br>
osobnog umjetnikovog nemira u danasnjem vremenu (PUTOVANJE NEMIROM). <br>
POTREBNO PRILOZITI: <br>
1. Osnovne podatke o umjetniku, kontakt telefon i mail <br>
2. Kratku biografiju <br>
3. Opis projekta, ne vise od dvije kartice <br>
4. Vizualni materijal (jpeg, avi, mpg na CD-u ili DVD-u) <br>
ROKOVI: Krajnji datum za prijavu (postanski zig) 4. 8. 2008. <br>
Objava autora koji cine finalnu koncepciju akcije-izlozbe PUTOVANJE <br>
NEMIROM 1. rujna 2008. <br>
Za dodatna objasnjenja posaljite mail na <a href="mailto:info%40maxartfest.com">info@maxartfest.<wbr>com</a><br>
Materijale takodjer mozete downloadati sa web stranice <br>
www.maxartfest.<wbr>com<br>
Direktor produkcije CKIM Tomislav Buntak <br>
Umjetnicki direktor festivala MAX ART FEST Leo Katunaric (M +38599 31 <br>
30 205) MAX ART FEST (za natjecaj) Svarcova 18, 10000 Zagreb <br>
<br>
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         padding-bottom: 10px;
        }
        #ygrp-reco {
        margin-bottom: 20px;
        padding: 0px;
        }
        #ygrp-reco #reco-head {
                font-weight: bold;
                color: #ff7900;
        }
        #reco-grpname{
font-weight: bold;
margin-top: 10px;
        }
        #reco-category{
        font-size: 77%;
        }
        #reco-desc{
        font-size: 77%;
        }
        #ygrp-vital{
                background-color: #e0ecee;
                margin-bottom: 20px;
                padding: 2px 0 8px 8px;
        }
        #ygrp-vital #vithd{
                font-size: 77%;
                font-family: Verdana;
                font-weight: bold;
                color: #333;
                text-transform: uppercase;
        }
        #ygrp-vital ul{
                padding: 0;
                margin: 2px 0;
        }
        #ygrp-vital ul li{
         list-style-type: none;
         clear: both;
         border: 1px solid #e0ecee;
        }
        #ygrp-vital ul li .ct{
         font-weight: bold;
         color: #ff7900;
         float: right;
         width: 2em;
         text-align:right;
         padding-right: .5em;
        }
        #ygrp-vital ul li .cat{
         font-weight: bold;
        }
        #ygrp-vital a{
                text-decoration: none;
        }
        #ygrp-vital a:hover{
         text-decoration: underline;
        }
        #ygrp-sponsor #hd{
                color: #999;
                font-size: 77%;
        }
        #ygrp-sponsor #ov{
                padding: 6px 13px;
                background-color: #e0ecee;
                margin-bottom: 20px;
        }
        #ygrp-sponsor #ov ul{
                padding: 0 0 0 8px;
                margin: 0;
        }
        #ygrp-sponsor #ov li{
                list-style-type: square;
                padding: 6px 0;
                font-size: 77%;
        }
        #ygrp-sponsor #ov li a{
                text-decoration: none;
                font-size: 130%;
        }
        #ygrp-sponsor #nc{
         background-color: #eee;
         margin-bottom: 20px;
         padding: 0 8px;
        }
        #ygrp-sponsor .ad{
                padding: 8px 0;
        }
        #ygrp-sponsor .ad #hd1{
                font-family: Arial;
                font-weight: bold;
                color: #628c2a;
                font-size: 100%;
                line-height: 122%;
        }
        #ygrp-sponsor .ad a{
                text-decoration: none;
        }
        #ygrp-sponsor .ad a:hover{
                text-decoration: underline;
        }
        #ygrp-sponsor .ad p{
                margin: 0;
        }
        o{font-size: 0; }
        .MsoNormal{
         margin: 0 0 0 0;
        }
        #ygrp-text tt{
         font-size: 120%;
        }
        blockquote{margin: 0 0 0 4px;}
        .replbq{margin:4}
        -->
        </style>
        </head>
        <!--~-|**|PrettyHtmlEnd|**|-~-->
        </html><!--End group email -->