[Oberlist] REGIONAL#[Fwd: Artinfo Digest, Vol 50, Issue 6] Free School for Art Theory and Practice >>>

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---------------------------- Original Message ----------------------------
Subject: Artinfo Digest, Vol 50, Issue 6
From:    artinfo-request la lists.c3.hu
Date:    Sat, April 7, 2007 13:00
To:      artinfo la lists.c3.hu
--------------------------------------------------------------------------

Message: 4
Date: Fri, 6 Apr 2007 10:48:43 +0200
From: "hegyidora" <hegyidora1 la chello.hu>
Subject: [artinfo] tranzit.hu info
To: <ikon la ikon.hu>
Cc: artinfo la lists.c3.hu



Free School for Art Theory and Practice launched by tranzit.hu

in focus 2007_ collaboration and dialogue



April 20-22, 2007



Why in Art?

Negotiating Social and Political Urgencies in the Field of Artistic Practice



20 April 2007 2-6 p.m.: Closed Seminar with artist Ulay (Uwe Laysiepen)
and Maria Hlavajova

20 April 2007 7 p.m.  Public Conversation between artist Ulay and Maria
Hlavajova

21 April 10 a.m.- 6 p.m. Closed Seminar with Maria Hlavajova

22 April 10 a.m -1 p.m. : Closed Seminar with Maria Hlavajova

(sites to be specified)



THE PARTICIPATION IN THE SCHOOL IS FREE. LANGUAGE  IS ENGLISH

APPLICATION DEADLINE: APRIL 16 WITH MOTIVATIONAL LETTER TO THE
OFFICE la TRANZITINFO.HU ADDRESS



The three-day seminar Why in Art? by Maria Hlavajova is divided in three
parts:



1.      (artist)

In a seminar and a public conversation with artist Ulay (Uwe Laysiepen),
Maria Hlavajova engages with the question of why to discuss issues of
major social and political consequence in art. Examples of works by Ulay
(including works from the period of his collaboration with artist Marina
Abramovic) are shown and analyzed in this respect.



2.      (art project)

In a closed seminar on 21 April, Hlavajova introduces a number of concrete
projects that assume the place of art to be part of the world filled with
social and political urgencies, and argues that art is a space where new
social and political imaginaries can emerge. Projects such as Citizens and
Subjects (52nd Venice Biennale, upcoming June 2007), Concerning War (BAK,
2005), and Now What? Dreaming a better world in six parts (BAK, 2003) are
discussed as "case studies."



3.  (art institution)

The part of the seminar held on 22 April is dedicated to the notion of
"institutional creativity," focusing on the place of the art institution
as a public site for criticality and non-violent conflict. The theoretical
foundations of BAK, basis voor actuele kunst, which Hlavajova founded and
runs as its artistic director, serve as a "basis" for articulating ideals
for an art institution striving to respond to the challenges articulated
by the flux of artistic practices in a hospitable and confident way.



---

Maria Hlavajova (born 1971) is artistic director of BAK, basis voor
actuele kunst, Utrecht since 2000. She is currently preparing a three-part
project, Citizens and Subjects, for the Dutch Pavilion at the 52nd Venice
Biennale. Hlavajova has organized numerous exhibitions and projects at BAK
including (selection): Roman Ondák: The Day After Yesterday, 2007;
Concerning 'Knowledge Production': Practices in Contemporary Art, 2006;
Adrian Paci, 2006; Concerning War, 2005; Gerrit Dekker: About no below, no
above, no sides, 2005; Cordially Invited, episode 3, Who if not we...?,
2004; and Now What? Dreaming a better world in six parts, 2003. In 2004,
Hlavajova curated Who if not we...?, an international collaborative
project across Europe. She is co-director of the tranzit network, a
foundation that supports exchange and contemporary art practices in
Austria, Czech Republic, Hungary, and Slovakia. Hlavajova was a faculty
member at the Center for Curatorial Studies, Bard College, New York from
1998-2002, co-curator of Manifesta 3, Ljubljana (2000), and director of
the Soros Center for Contemporary Arts in Bratislava from 1994-1999.
Hlavajova lives and works in Amsterdam and Utrecht.



Ulay

www.ulay.net/


End of Artinfo Digest, Vol 50, Issue 6
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